‘The Lion King 1½’ is the Perfect Disney Animated Sequel

Glance, you want to show children about postmodern meta-comedy sooner or later.


By way of Meg Shields · Printed on March twenty eighth, 2022

Welcome to The Queue — your day-to-day distraction of curated video content material sourced from around the internet. Nowadays, we’re gazing a video essay that unpacks what makes ‘The Lion King 1½’ such an outstanding Disney sequel.

In the event you’re in any respect conversant in the darkish, drama-filled vortex of conventional animation historical past, you’ve most likely heard of the “Disney Vault.” For the uninitiated and unaware, this used to be a advertising idea that aimed to stay a good, vice-like grip on how lengthy Disney classics — this is to mention, animated options — might be bought on the market on house video. (Whilst essentially an intangible concept that ruled the discharge of VHS tapes, Disney’s archives is also referred to as “The Vault.”)

The idea that used to be successfully an echo of what the corporate have been practising theatrically because the mid-Nineteen Forties: periodically re-releasing options to the massive display screen each time the powers that be deemed it have compatibility. When VHS, the coffin-shaped house video gadget that revolutionized the home movie revel in, hit the economic marketplace within the Nineteen Eighties, Disney professionals have been to begin with reticent to “sully” their liked backlog by means of permitting someone to possess a duplicate.

Then again, when the Space of Mouse discovered there used to be a boat-load of cash to be made, the detractors relented and the concept that of the Disney Vault used to be born: motion pictures would emerge for a restricted time, developing a way of shortage that surely boosted gross sales. The Disney Vault ran its direction in 2019, when Disney+ supplied the corporate with a brand new, trendy, strategy to stay a chokehold on their IP.

It is a lengthy stroll to get to nowadays’s matter. Particularly: the unique wave of Disney animated sequels that got here out of the studio’s foray into the house video marketplace. And whilst Disney used to be definitely valuable about their canon of masterpieces, the overall working out (at the a part of someone with eyes) is that there used to be much less care, cash, and energy allocated to those DTV sequels.

I’m certain there are defenders of 1997’s Good looks and the Beast: The Enchanted Christmas available in the market. Heck, I’ve heard other people pass to bat for 1994’s The Go back of Jafar. However as any person who grew up all over this Disney DTV sequel duration I’m right here to get something instantly: one sequel reigns best.

No, it’s no longer The Lion King II: Simba’s Satisfaction (which is available in at an in depth 2nd), it’s the 3rd Lion King sequel: The Lion King 1½.

Directed by means of Bradley Raymond (scorching off the sequels to Pocahontas and The Hunchback of Notre Dame), The Lion King 1½ takes position all over the occasions of the primary movie, however it’s informed from the point of view of Timon (Nathan Lane) and Pumbaa (Ernie Sabella) who narrate their facet of the tale. I’m no longer announcing that there’s a Roshomon to The Lion King 1½ pipeline, however I’m additionally announcing precisely that. The movie follows how the pair met, the duo’s makes an attempt to boost their followed lion cub son, and what they have been as much as whilst we have been following Simba’s tale.

Irreverent, fourth-wall breaking, and delightfully low-stakes, The Lion King 1½ laws, and in the event you gained’t imagine me, perhaps you’ll imagine this feature-length video essay:

Watch “The Lion King and Disney’s Sequel Curse”:


Who made this?

This video at the improbable Disney sequel The Lion King 1 ½ is by means of Jace, a.okay.a  BREADSWORD, an LA-based video essayist who makes a speciality of long-form nostalgia-heavy love letters. Impeccably edited and smoother than butter, BREADSWORD essays boast an unheard of at ease have compatibility and an expressive narrative tone. Lengthy essays like this take numerous time to place in combination, and come what may BREADSWORD makes all of it glance easy. You’ll be able to subscribe to them on YouTube right here. And you’ll be able to apply them on Twitter here.

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Similar Subjects: Disney, The Lion King, The Queue

Meg Shields is the standard farm boy of your desires and a senior contributor at Movie College Rejects. She recently runs 3 columns at FSR: The Queue, How’d They Do That?, and Horrorscope. She could also be a curator for One Highest Shot and a contract author for rent. Meg may also be discovered screaming about John Boorman’s ‘Excalibur’ on Twitter right here: @TheWorstNun. (She/Her).


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